Semi-Pro was freakin awesome and hilarious, but I'm in the middle of Juno and I don't get what everybody was so stoked about. In fact, there is one aspect of the film that outright sucks: the way that Juno talks is fuckin ridiculous. For one, her slang is all sorts of off-register...she doesn't sound like a 17 year-old white girl to me (at least, it's not believable in my movie viewing opinion). Plus, she talks in that overly analytical manner that I've never heard a high schooler drop into; usually people don't talk like that until they take a couple of Philosophy classes in college. Ellen Paige's affect is just not fitting for the part from where I sit. But, I am still watching because I'm stubborn...
...and I can't suspend disbelief with Juno's whole I'm in love with you speech to Michael Cera's Bleeker. It just doesn't resonate as a real, tangible 16 year-old girl re-approaching a guy who she'd broken the heart of earlier. Maybe that perspective is biased by my own experience, but piss off if you don't like my opinion.
By the way, The Diving Bell & The Butterfly was amazing. I think Julian Schnabel might be one of my favorite directors, because Before Night Falls was equally incredible.
Monday, June 23, 2008
Smooth Sailing Homey
Wednesday, June 18, 2008
Congratulations Jesus Shuttlesworth!!!

Thursday, June 12, 2008
A Love Affair Sans Disappointment
The Break-Up & the Brokenhearted Once Weres
Sunday, June 8, 2008
fear of lovelessness pt II
{Johan Johansson}
staring at the sky
as if waiting for it to
vanish me in its vast expanse
thinking:
that the sun could
shred those clouds
from their binding axis
and
they’d leave me forever
yet,
these reassuring waves of sound
surge love through my body
cello upon cello upon viola
of love
pushing out, from
the inner walls of my heart
invisible tears roll
for hope and despair
simultaneously
seeping Gorecki’s 3rd
like a wounded soldier’s blood
or
the fear of lovelessness.
Saturday, June 7, 2008
distal...not distant
06.07.08
I met a man
who seemingly spoke
through the aged
decrepit
dead fingers of
Eric Satie
yet, certainly spoke
of his own accord
and voice
the ghost
harmlessly alive
within…
distal phalanges
hammering away at
a piano
tickling the prisoner
until it confessed
coughing dust off strings
secrets:
unveiling, how
what appears as
carbon copy
is really two
originals, locked in
immortal connection
to the ghost
harmlessly alive
within…
Frag:ments
06.07.08
to make the slow descent
defiance: gravity
falling: flight
released from future expectations
hands: joining
but
with feathers for fingers
we must learn
how to grasp: differently
beyond: physical
on a level
buried beyond ordinary perception
where the frag:ments
become indiscernible
from the whole
where: the orchestra
plays as but one cello
Thursday, June 5, 2008
Quite possibly the best band rolling right now
Sunday, June 1, 2008
The Slide, the Tag & Safe! at Home

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