7's Mix

Apparently, I'm taking a stiff departure from having any real sense of form here, but it was fun.

-"Noon Hill Wood" ~ Richard Skelton
-"Cielo" ~ Murcof
-"Flyktig" ~ Pjusk
-"White Lake" ~ Deaf Center
-"I'm Building A Bodacious Bodega for the Race War" ~ Mike Ladd
-"Murderah Style" ~ DJ Spooky
-"Songs in the Key of Tryfe" ~ MF Doom & I-Self Divine
-"Linoleum" ~ Company Flow
-"Foiled" ~ Yellow Swans
-"A Night Without Harm" ~ Svarte Greiner
-"Hathor's Dance" ~ Higuma

Guess I tried to make a little egg center of beats, protected, cupped even, between ambient and electronic shells.

The Road

I just finished watching the movie adaptation and simultaneously starting the book. That is, by far, the most emotionally moved I have been in response to a movie in a few years. Not for the terrifying bleakness or the ravenous hunger that drives all post-apocalyptic survivors to madness, cannibalism and despair. For the tiny glimmer of hope for humanity McCarthy has for us right now, yet in his frame of putting us through the worst circumstances ever and seeing some of that humanity, compassion peak out on the other side of nothingness.

One thing I noted as a recurring theme in both the books and movies to The Road and No Country For Old Men: binoculars. In No Country, Llewelyn Moss (Josh Brolin) is standing on a plateau scanning the barren fields below for his prey while hunting and also in spotting the injured dog. In The Road, 'The Man' is constantly "glassing" his environment for safety reasons; to see other people (potential predators) from a distance is a way to stay alive. But the theme to me seems to be for the narrator to have a feeling of distance from the rest of the world. His mindstate is one of being alone in the way he thinks and looks at the world, life.

One last bit. The movie was fantastic in all ways in my mind. The soundtrack by Nick Cave & Warren Ellis fits like a glove. The sound of the world in dissolution around them at all times is perfectly done. It is a sad, crying, aching world that is crumbling at all moments. The acting is fuckin' brilliant, but then what else would you expect from the likes of Viggo? The cinematography is just about bleak enough to squeeze tears out of anybody's eyes on its own. Well done.

Get on the Dice-K Express to psychological Hell!

Just when my boys, the Boston Red Sox, get rolling and reforming into a playoff contender again? They send Daisuke Matsuzaka to the mound. The number one cause of episodic Tourette's Syndrome in my household. What a colossal waste of fuckin' cash this guy has turned out to be. Sure, he can throw 413 different types of pitches and needs every one of 'em to get through 5 and two-thirds innings, but it is beyond maddening to watch a pitcher, night-in and night-out, get to 3-2 counts on every god damn hitter he faces. This guy needs to pay back the rest of his remaining contract and go back to winning games for Japan in the World Baseball Classic. Hey, at least Old Man Wakefield is taking the mound on Friday. Here's to hoping the knuckler is floating like a drunken hummingbird.

Rhymes With A Passion

Sitting at the throne of the laughing king/talkin' 'bout human trafficking

Svarte Greiner: Penpals Forever (And Ever)

I remember seeing Deaf Center at the Triple Door during Decibel Festival's Ambient Showcase two years ago. I sat there with my friend Scott and a couple of new friends (other performers at that year's festival), all of us having our minds splattered on the hard table top in from of us and our hearts liquified in some oozing molten melancholy. I've never felt closer to a male group therapy session; beating drums and yelling amidst campfire flung light. It was clearly a shared visceral, emotional evening.

In the time since then, Deaf Center has gone on somewhat of a sabbatical . Svarte Greiner and Otto Totland having moved on to other projects without officially announcing time of death on Deaf Center. Totland has not produced at the frequency of Greiner, but made an absolutely smashing breakthrough with Nest (see my review for The Silent Ballet). Greiner has continued to pour out his scratchy, steel wool mind on scattered, ever-darkening and more haunting releases. His latest is Penpals Forever (And Ever). His music really has progressed to a point where I feel I'm listening to the soundtracking of a truly schizophrenic and deranged mind, from within, not cinematically. It's an important distinction. I won't waste my breath attempting, at this late hour, to describe the individual peaces, as they seem only movements within a whole that is not dissectable. To communicate how it feels as if actually inside a truly sick (genius?) mind, is to say that there are many noises that make me check if my own environment is making them or if they are part of the music. Intermittent drum beats that made me inspect my turntable to see if it was clicking or knocking its motor (it certainly was not). Low bass rumbles that tricked me into thinking a plane overhead my house was unusually low on its approach to Sea-Tac Airport. This truly is disturbing music; most disturbing for its addictive quality.

Score: 8.75/10

Choose Your Torture

Would you rather have bamboo shards shoved under your fingernails while being waterboarded or be forced to watch Meg Ryan movies for 72 hours straight?

Lost Satellite of Max Richter

{06.14.10}
she spins
spitting messages unconsciously
to audiences she's
unaware of
unimagined

beeping, chattering into the void
sweeping the vacuum
for the shattered remnants
of love or existence
that last touch, fading into
a cosmic echo

scan the frequencies
to see if she's still out there
floating less as a heavenly body
and more as a message or a hope

as she spins further into
the vastness, the full-to-overflowing emptiness
swallows her signal
a sip from some universal broth
she begins to attain
some sort of enlightened loneliness

flashing as some unexplainable nova...